
lecture at USC
March 2, 2009
9:00 AM – 11:00 AM
University Park Campus
Watt Hall
Galen Ceramics Studio (Room 107)
Modern Craft: Directions and Displacements
After many years out in the cold, craft is a hot topic for artists and historians. Received narratives of nineteenth-century imperialist and industrial aesthetics are being displaced by studies that focus on the figure of the artisan. Fixtures in the Modernist firmament, from the Bauhaus to Post-Minimalism, are being reevaluated according to new ideas about production. Meanwhile, contemporary artists are embracing carpentry and ceramics, and a whole youth subculture is taking up knitting and other hobby techniques. In this talk, Glenn Adamson will provide a brief survey of the terrain. By looking closely at three areas of contemporary practice in particular-DIY protest art, ceramic sculpture, and so-called “Design Art”-he will also suggest where modern craft is heading next.
Glenn Adamson is Deputy Head of Research and Head of Graduate Studies at the Victoria and Albert Museum, where he leads a graduate program in the History of Design. His research interests include modern craft and design; furniture and ceramics in England and America in the 17th and 18th centuries; and decorative arts theory. Dr. Adamson is co-editor of the triannual Journal of Modern Craft, and the author of Thinking Through Craft (Berg Publishers/V&A Publications) and the forthcoming Craft Reader (Berg, 2009). His other publications include Industrial Strength Design: How Brooks Stevens Shaped Your World (MIT Press), and Gord Peteran: Furniture Meets Its Maker (Milwaukee Art Museum). Presently he is working on an exhibition about Postmodernism, to be held at the V&A in 2011.
Image: Marianne Jorgenson, Pink M.24 Chaffee, Copenhagen, 2006.